Postmodernism is a phenomenon whose mode is resolutely contradictory as well as unavoidably political.Postmodernism manifests itself in many fields of cultural endeavor – architecture, literature, photography, film, painting, video, dance, … New York: Routledge. LINDA HUTCHEON.
“Discourse or Moral Action: A Critique of Postmodernism.” Educational Theory 42(4): 371–93. First published 1989. by Routledge. Hutcheon, Linda. Post Modernist Fiction 19. "Irony, Nostalgia, and the Postmodern" by Linda Hutcheon --important essay on postmodernism. London and New York. A Poetics of Postmodernism: History, Theory, Fiction. Linda Hutcheon, from The Politics of Postmodernism (1989) 24.
dalam buku Hutcheon Poetics of Postmodernism (1989) dan Politics of Postmoder nism (2002). 2nd Ed.
150 LINDA HUTCHEON Partof the problem in deciding which camp to belong to is that in manyof these debates theterm postmodernism is rarely defined precisely enough to be more than a synonym for today's multi nationalist capitalist world at large. Black Culture and Postmodernism 18. Linda Hutcheon, one of the foremost Canadian critics of the day, in her famous work The Politics of Postmodernism, seems to find herself initially in a dilemma. Umberto Eco, 'Postmodernism, Irony, the Enjoyable.'
What is postmodernism?
Routledge. Linda Hutcheon, from A Poetics of Postmodernism (1988) POSTMODERN GENRE 22.
1. (1992).
Perhaps more importantly, it is a compelling discussion of why postmodernism matters. The Politics of Postmodernism. Neither a defense nor a denunciation of the postmodern, this study directly addresses the use and abuse of the label in a variety of disciplines—literature, visual arts, film, architecture, literary theory, history, and philosophy.
Working through the issue of representation in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world. Historiographic Metafiction - Linda Hutcheon 1.
According to LINDA HUTCHEON, one of the main features that distinguishes postmodernism from modernism is the fact the it "takes the form of self-conscious, self-contradictory, self-undermining statement" (Politics 1).One way of creating this double or contradictory stance on any statement is the use of parody: citing a convention only to make fun of it. Linda Hutcheon - 2006 - In Paul Wake & Simon Malpas (eds. (Albany, NY: State University of New York Press, 1993. See outline/summary of Hutcheon's ideas in Historiographic Metafiction. Republished in A Postmodern Reader, ed. The Politics of PostModernism. The methodology used in the short story Robohnya Surau Kami using Linda Hutcheon's postmodernist theory is a descriptive method of analysis, by describing the facts which are then analyzed. Working through the issue of representation in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world. A Poetics of Postmodernism: History, Theory, Fiction Linda Hutcheon Neither a defense nor a denunciation of the postmodern, it continues Hutcheon's previous projects in studying formal self-consciousness in art, but adds to this both a historical and ideological dimension. Routledge. Thomas Docherty, 'The Ethics of Alterity' (1988) 25.
In stark contrast to Hutcheon, Fredric Jameson feels that in the postmodern, historical thinking has been replaced by nostalgia. Laura Kipnis, from Feminism: the Politcal Conscience of Postmodernism?' 115. 21.
Linda Hutcheon is Professor of English and Comparative Literature at the University of Toronto.
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